![]() In the video above, Gerald demonstrates how you can easily switch between different ISO settings and change clip exposure on the fly in Premiere Pro CC while taking advantage of the Highlight Recovery feature which seems to be an extremely efficient and powerful tool when you want to bring your highlights back without affecting the rest of your image.Īnother useful color grading tip covered in the video suggests tweaking your BRAW images in advance and then using the custom metadata by putting it back into your camera. What’s more, BRAW Studio is constantly updated with Blackmagic latest features – new cameras supported ( BMPCC 4K, URSA Mini Pro G2), new RAW parameters added (color spaces, gammas, highlight recovery), bug fixes, etc. You can tweak and access all Blackmagic RAW parameters such as Exposure, Color Balance, ISO, Contrast etc directly in the Master tab of each clip Effects window. This third-party plugin does not only allow you to import and edit your BRAW clips directly and natively into Premiere Pro CC 2019, but it also brings the included metadata into the Project Panel. The solution in question is called BRAW Studio developed by Autokroma. Gerald Undone has found a neat third-party plugin that brings BRAW workflow to Premiere Pro CC while providing full control over the Raw metadata just as if you are working with it inside DaVinci Resolve. ![]() The only downside, however, is that in order to process Blackmagic Raw, you need to use DaVinci Resolve exclusively as it’s currently the only video editing software that supports the format natively.īut what if you want to ingest BRAW footage in Premiere Pro CC? Currently, Adobe’s NLE still doesn’t support BRAW natively, but it doesn’t mean you can’t work with it at all. Blackmagic RAW is no exception to that rule. The ultimate control over your images and the flexibility that a Raw codec gives you in post are undeniable advantages.
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